Services
What I produce.
All of it built for financial publishing. Direct response, editorial, and subscriber-facing work.
Video sales letters and promo campaigns
The core of the business. Long-form VSLs, short promos, and the supporting assets a campaign actually needs: cutdowns, platform versions, thumbnails, and captions.
I'll work from finished copy or develop the script alongside your copywriter. Either way, compliance and licensing questions come up in the first pass instead of the last. Caught that early they are quick fixes, and your launch date stays where you put it.
Interviews and talking-head segments
Guest interviews, editor segments, and analyst commentary. Booking and prep through to finished cut with lower thirds, chapter graphics, captions, and B-roll. Remote or on location.
I sit in that chair every week myself, so I know where the emphasis has to land when you are speaking copy. Everyone sounds better with a trained ear in the room, me included.
Show production
A publisher's video channel, run end to end. Format design, booking, recording, editing, packaging, publishing, and the recurring graphics system that keeps it consistent week over week.
For publishers who want a channel and don't want to hire a department to run it.
Post-production
Editing, motion graphics, lower thirds, captions, and packaging on footage you already have. Useful when you have someone who can shoot and nobody who can finish.
Turnaround.
I build and maintain my own production tooling: automation for lower thirds, caption pipelines, and asset generation.
That's not a feature you should care about directly. It's the reason a revision round comes back the same day.
Rates.
Project-based for campaigns, monthly retainer for ongoing channel work. I quote after a scoping call.
I don't publish a rate card because the spread between one promo and a managed channel is too wide for a number to mean anything.